Limitation as the starting point for creativity

To see limitations as the starting point for creativity is a great skill to develop.

Every day we face limitations. And limitations are everywhere. We find mental or physical boundaries of circumstances we might have chosen or not. We depend on beliefs, on schedules, on language, on nature, on the weather, on others, on our helpers, colleagues or family.

But we also might experience limitations where others see possibilities. If we want it or not, boundaries help us to focus. To focus on the limited options that are left. So we take them as a starting point to make the best out of it to diverge from our boundaries, develop new ideas and live the mantra ‘less is more’.

The Limitations Card

The essence of the limitations card is how can we de-focus from our experienced horizons and be curious about what else there is. This means take limitations as a start for new choices and divergent thinking to develop new innovations.

The picture

The picture is a snapshot with my iPhone. One morning I came down to the living room and saw my Ukulele with a broken string. Besides the fact that I had to fix this, I was charmed by the nice picture.
Because the way the a-string was standing in the air with this lovely curve gave me a sense of not just fixing this problem but trying to use it as it is.
I played half an hour with only three strings and it struck me how easy and convenient it was. My playing was totally different than normal. More simple, like an exercise in focusing.

The quote

To Achieve Great Things, Two Things Are Needed;
A Plan, And Not Quite Enough Time.

I love this quote by Amercain composer and conductor Leonard Bernstein. This is not just about improvising but about focus. To start with a plan that gives you the focus on vision and guidance is essential. The limitation in time to speed up decision making and on the spot creation of choices is the starting point for creativity.

The sonic trigger

The limitations card does not have a musical sample. The Spotify link leads to the spoken words of Leonard Bernstein, a disclaimer before the performance of Brahms c-minor concerto.
This is a great example of leadership and followership together. In leading, in this case, the New York Philharmonic and in following, in this case, the ideas of Glenn Gould. So the ‘limitation’ of working together and taking a step back in leading and giving the partner the space to introduce his ideas and bringing this all together is great leader-followership.

Please take your time to listen to the introduction and also to the concerto, it is worth it.

The cues

On this card SCORE, AGILITY and PERSONALITY are interconnected. The SCORE is the plan, in this case, the original composition of Brahms. It is connected with the PERSONALITY of Bernstein and Gould, so interesting it is not one PERSONALITY but in this case two. In AGILITY you have to make decisions, sometimes on the spot. This means before you would REMIX, this would be the performance, AGILITY is making sense of PERSONALITY and SCORE.

Some inspirational links:

5 Hours of Glenn Gould Outtakes. Why? Listen and Find Out.
Leonard Bernstein Artful Learning

Music Thinking Jam Cards

 An inspirational card set for change makers, pattern recognisers, innovators, transformers and natural collaborators. The Jam Cards consist of 38 inspiration cards and six cue cards. All inspiration cards have a keyword, a visual and a sonic trigger, a trigger question, an inspirational quote, and six cues that connect with the Music Thinking Framework. You can use the cards from a strategic point of view, knowing what you want or need and a serendipity approach open to everything that will happen. ‘Music Thinking’ lets people work and play together in a new way with inspirations from the rich world of music.

Order the Music Thinking Jam Cards

You can order the jam cards via your local bookstore (worldwide) and have a nice chat with the people there and try the cards right away, or just buy them directly at BIS Publishers.

Yes, you can also find them at Amazon.com, Amazon.de, and Bol.com

Creativity, or how can we waltz with complexity?

There are many books written about creativity and creativity is not just a skill or a magic wand that helps us when we are desperately looking for solutions for big problems. There are many ways of being creative, and this can be in small and simple but also in complicated or even complex situations.

There is a big difference between complicated and complex. For the former, it might help to reduce the complicated elements in smaller simpler units (like it is done in agile development), for the latter that is not possible. It needs a different way of creativity.

The Jam Card

The ‘Creativity’ Jam Card – Music Thinking Jam Cards

There is no simple solution to a complex problem. Instead of looking for the next simple quick fix for something that is nearby, we should think about how to understand the complexity, what level of complexity do we experience and how is the complexity changing. This means complexity is not a problem to be solved but a system you can only understand when you are a part of the system and try to change it. This needs creativity in many dimensions and many senses. It’s like dancing the waltz with a complex system, having fun in mutual changing development instead of analyzing and trying to fix it. So have fun with complexity, embrace the paradox.

The picture

  This is a snapshot I did with my iPhone on a Vintage Guitar Show in the Netherlands. Besides many guitars from decent to crazy, there are also many accessories to tune, maintain or enhance your guitar, amp or yourself. One of these is the Gizmotron. The Gizmotron, is an effects device for the electric guitar. It was invented in 1969 and patented by the English rock musicians Kevin Godley and Lol Creme in 1975, whilst they were members of the British rock group 10cc. Taped or permanently attached to the body of an instrument, the Gizmotron uses small, motor-driven plastic/rubber wheels to make the strings vibrate, yielding resonant, synthesizer-like sounds from each string. Plagued with design and manufacturing problems, the Gizmotron did not live up to expectations and was a commercial failure. In this regard, it became a collector’s item.

 

The quote

Creativity is more than just being different. Anybody can play weird – that’s easy. What’s hard is to be as simple as Bach. Making the simple complicated is commonplace – making the complicated simple, awesomely simple – that’s creativity.

This is a great quote from Charlie Mingus, a great musician and bass player. He understands that creativity is not just a single trick (being weird or different) but part of a bigger system and Johann Sebastian Bach is a great example. It also shows that Mingus is looking far more than his Jazz experience to the area of classical or baroque music. That Mingus was an inventive innovator with a broad view not only in music can be seen in the inspirational links below, he was also a cat lover.

The music

The Brandenburg Concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt in 1721. They are widely regarded as some of the best orchestral compositions of the Baroque era. Bach used the “widest spectrum of orchestral instruments … in daring combinations,” as Christoph Wolff has commented.

“Every one of the six concertos set a precedent in scoring, and every one was to remain without parallel.” Heinrich Besseler has noted that the overall forces required (leaving aside the first concerto, which was rewritten for a special occasion) tally exactly with the 17 players Bach had at his disposal in Köthen. source: wikipedia

Here is a side story: when my daughters were young, I made for them mixtapes with the most different musical pieces. From classical to Punk, Jazz, Rock or Pop to instrumental, German, Italian and English songs. Among others, there was also the excerpt of the Brandenburgische Konzerte you hear above. My eldest daughter walked daily with a cassette recorder through our apartment. One day when we had guests and were sitting on the table, she entered the room with her recorder, put it on the table and was explaining: ‘and this is Bach’, then she left the room and an astonishing group of people thinking about the well educated and musically talented little girl.

 

The cues

SCORE, JAMMIN’ and REMIX are three cues that connect with complexity. They live in the solution space and have the potential to quickly prototype and iterate new possibilities. JAMMIN” with the power to invent, listen and create, SCORE with the power of visualising the outcome or documenting the hypothesis and REMIX as the master of shipping, of creating something of value to use or perform. See here: how the cues connect with the Music Thinking Framework.

Some inspirational links:

John Maeda the laws of simplicity
Gizmotron 2.0
Charles Mingus Cat Toilet Training Program

Music Thinking Jam Cards

 An inspirational card set for change makers, pattern recognisers, innovators, transformers and natural collaborators. The Jam Cards consist of 38 inspiration cards and six cue cards. All inspiration cards have a keyword, a visual and a sonic trigger, a trigger question, an inspirational quote, and six cues that connect with the Music Thinking Framework. You can use the cards from a strategic point of view, knowing what you want or need and a serendipity approach open to everything that will happen. ‘Music Thinking’ lets people work and play together in a new way with inspirations from the rich world of music.

Order the Music Thinking Jam Cards.
You can order the jam cards via your local bookstore (worldwide) and have a nice chat with the people there and try the cards right away, or just buy them directly at BIS Publishers. Yes, you can also find them at Amazon.com, Amazon.de, and Bol.com